Fack ju Göhte

People have shown aptly how this supposed cheeky assault on stuffy convention ultimately has a socially conservative message, but I frankly don’t care enough about the thing to recount the argument here, and neither should you.

Elyas M'Barek, le show. Cette bombe allemande écrase tout sur son passage, et tout le monde en prend pour son grade. La nonchalance du personnage fait tout le charme du film, surtout à côté d'une Cendrillon écolo, et politiquement correct (Karoline Herfurth). Mention toute particulière au charisme de Katja Riemann.

okay movie

I have no problem with the movie itself. It knows what it is and doesn't pretend to be more. The script, the editing, the score, the performances: it's all got "for retarded people with zero attention span" (and those who like to make fun of them) written all over it. Some of it even works, if only by accident. My major issue is that this takes the cake with audiences over infinitely better movies, resulting in two sequels, more probably on the way. And what are we supposed to gather from that?

I am pleasantly surprised that German people can also make a movie like this.

It has it funny moments but overall rather predictable.

I loved it!! I watched it here: http://www.novamov.com/video/5c09bb158651e enjoy!!

113 Minutes x 7 million viewers in Germany = 13183333,3 hours, in which this country got a bit more stupid and tasteless.

Auch wenn die Handlung leider sehr vorhersehbar ist (typisch deutsche Komödie), finde ich den Film doch sehr kurzweilig und witzig.

Combine your typical guy-gets-girl-but-not-the-way-he-expected rom-com with your typical lowest-of-the-low gross-out slapstick comedy, I guess you have a hit on your hands. If this calamity works at all I guess it's thanks to looks, charisma, and extremely childish plot devices, rather than intelligence or making any sense. The kind of movie we should all campaign to have destroyed, but I've watched it, and is it wrong to have found it a slight bit of a guilty pleasure?