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Domangchin yeoja
Domangchin yeoja
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Domangchin yeoja

Domangchin yeoja

2020
Drama
1h 17m
While her husband is on a business trip, Gamhee meets three of her friends on the outskirts of Seoul. They make friendly conversation but there are different currents flowing independently of each other, both above and below the surface. (imdb)

Directed by:

Sang-soo Hong

Screenwriter:

Sang-soo Hong

Genre:

Drama

AKA:

The Woman Who Ran, 도망친 여자

Country:

South Korea

Language:

Korean

Domangchin yeoja

2020
Drama
1h 17m
Your probable score
Avg Percentile 50.7% from 141 total ratings

Ratings & Reviews

(141)
Compact view
Compact view
Rated 14 Apr 2021
63
58th
"You really should just stop talking."
Rated 25 Dec 2020
19
11th
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Rated 27 Mar 2024
87
84th
Felt like a glimpse into a world I can never fully understand or be part of, a slight yet powerful look into female friendships and how intrusive men can be. At times I felt almost envious, at times I was considering my own past (and not just distant past, tbqh) behaviour, at times I was admiring the disorientating yet bizarrely fitting use of zooms…..really got to me.
Rated 16 Feb 2022
75
69th
there's something therapeutic to hong sang-soo's style of filmmaking. most *realist* films shine as they manage to capture those small moments of any given day and tie that to over-arching themes of the narrative, but sangsoo completely relies on those moments and brings out the half-truths of our own narratives as the over-arching theme of filmmaking. the reflexivity of his films (in every sense of the word) comes from their layered understanding of the ordinary and they are joy to watch.
Rated 03 Feb 2022
70
74th
Also know as 'The Woman Who Ate, Drank, Slept, Opened Windows, Looked At Security Camera Footage and Met With Three Friends Who Are All Connected By Images Of a Mountain'. As with all the Sang-soo films that I've seen to date, there is a confessional quality to this story that makes for an honest film, which is rare in this day and age of hyper self-awareness and posturing (indeed Gam-hee rightly accuses Mr Jung of such a crime). The Sang-soo/Min-hee relationship is special for cinema.
Rated 09 Nov 2021
67
70th
Enjoyable.
Rated 08 Apr 2021
86
86th
The art of great magic lies in the simplicity of its illusions; and in The Woman Who Ran, Hong Sang-soo plays the most graceful of cinematic tricks - showing off his deft touch for disguising elegant metaphor behind the bluntly-dull realism of everyday life.
Rated 24 Dec 2020
75
80th
More straightforward and (seemingly) less playful than other HSS entries, but still so rewarding. We never know which woman is running and what from. Every encounter has such a weird, adorable, yet poignant aura among doorbells, surveillance cams, cinema session, some coffee and booze drinking and, mostly, the fact that the she is, for the first time in five years of marriage, on her own. She doesn't if she loves him; seems to be going with the flow. Strange, beautiful -- that cat scene is aces.
Rated 09 Dec 2020
74
43rd
Three conversations between women, with occasional moments of male disruption. Circumstances and motives can often only be guessed, but focusing on the plot instead of the characters and their interactions would be missing the point entirely.
Rated 04 Oct 2020
85
59th
Viewed October 3, 2020.

Cast & Info

Directed by:

Sang-soo Hong

Screenwriter:

Sang-soo Hong

Genre:

Drama

AKA:

The Woman Who Ran, 도망친 여자

Country:

South Korea

Language:

Korean

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