Czlowiek na torze

Orzechowski is at first portrayed as a stubborn character who refuses to change with the times, but gradually his humanity is unveiled in a fine performance by Opalinski. It's a sly commentary on Communism and the people it leaves behind, supported by some excellent photography. There's also a bit of a Rashomon factor as the interviews sometimes consist of unreliable narrators, but in this case the onscreen action contradicts their testimony. I did find the film a little draggy, though.