Charleston Parade
Charleston Parade
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Charleston Parade

Charleston Parade

1927
Sci-fi
Short Film
17m
French filmmaker Jean Renoir would later remark that he directed the sensual dance fantasy Charleston because he'd "just discovered American jazz." He also had some stock footage left over from his previous silent success Nana, and decided it would be provident to fashion a new film from these leavings. Even without the benefit of sound, one can hear the jazzy rhythms of Charleston through the exuberant gyrations of an African-American dancer... (All Movie Guide)

Charleston Parade

1927
Sci-fi
Short Film
17m
Your probable score
Avg Percentile 36.22% from 58 total ratings

Ratings & Reviews

(59)
Compact view
Compact view
Rated 19 Feb 2024
80
87th
Bizarre. I really enjoy Renoir's unhinged side. Found some YT compilation of charleston music which accompanied the film pretty well.
Rated 26 Nov 2017
75
49th
Renoir offers a critique of European society in one of the more bizarrely construed films of the silent era. But what would you expect when a nearly nude woman, a black man in blackface, and a guy in an ape suit get together in front of a camera? That the white woman is the "white object" of a black actor who himself was a "black object" of curiosity in European and American society makes the irony of the story all the more pointed.
Rated 05 Sep 2017
30
36th
A strange, strange artifact, wherein Renoir's wife, Catherine Hessling, alluringly, even lewdly, dances the Charleston for the benefit of a clown in blackface, newly arrived on the ruined streets of Paris in his spaceship from the advanced civilization of Central Africa. Also, there's a man in a monkey suit. Honestly, the main point was apparently to show our half-naked star gyrating in loving slow-motion, and the film does accomplish that. As to the rest of it... it's something.
Rated 05 Apr 2015
80
83rd
Delightful post-apocalyptic dance oddity. Recommended soundtrack: Juno Reactor "Bible of Dreams".
Rated 20 Jun 2010
74
40th
The content itself is ok but flawed, a muddled commentary on colonialism that gets a bit old, but the playfulness of the style makes it enjoyable.
Rated 04 Mar 2008
75
77th
Ironically, it's a musical from the silent era and stars a black man in black-face. They don't make movies like this anymore.

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