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Bonnie and Clyde
Bonnie and Clyde
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Bonnie and Clyde

Bonnie and Clyde

1967
Drama, Crime
1h 51m
Warren Beatty and Faye Dunaway are the legendary Depression-era bandits and lovers in this landmark film that won two Academy Awards and triggered a revolution in screen violence. (Warner Bros.)

Bonnie and Clyde

1967
Drama, Crime
1h 51m
Your probable score
Avg Percentile 66.05% from 3932 total ratings

Ratings & Reviews

(3967)
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Rated 06 Mar 2007
3
38th
Certainly important as a landmark film in how it ushered in violence into mainstream Hollywood pictures, but age has weathered its impact and nothing else about the movie really knocks you out. Enjoyable, but its fellow violent contemporary, The Wild Bunch, holds up much, much better.
Rated 23 Dec 2020
87
85th
Broke all sorts of new ground when it went so far as to show a woman riding in the front seat of a car. Supposedly, some audience members fainted. The visual proved too much for the masses and it wasn't until 1989 after Jessica Tandy won an Oscar for sitting in the back seat of an automobile that people were comfortable enough to see women in the front seat again.
Rated 13 Sep 2007
68
45th
Very important in cinematic history for helping to usher in criminals as the heroes and its use of violence, but I just can't get myself to care about it all that much. Drags way too much.
Rated 25 Jan 2012
71
59th
It's interesting from a historical perspective how this film broke several Hollywood taboos and how it influenced the use of violence in years to come. It doesn't really hold up that well once Buck and his annoying wife show up, but it's still worth a look. Beatty and Dunaway have a lot of charisma and always managed to keep my attention.
Rated 25 Feb 2019
70
40th
My initial reaction was disappointment. My personal taste suggests I would be a big fan, but I did not care for the direction or editing. The characters came off as annoying, making it hard to appreciate their cultural infamy. This will probably be a movie I appreciate for its cultural value, and the fact that it challenged censorship, but compared stylistically to a movie like the Godfather that came out only 5 years later, it hasn't aged well.
Rated 15 Aug 2010
6
35th
Succeeds as a candid portrait of the notorious couple, but they're also the film's main issue: a bunch of petty, juvenile criminals who enrolled in robbing gas stations and grocery stores, becoming - undeservedly so - the center of media launched attention. One doesn't need this film to grow tired of them, which is what I eventually did about 20 minutes in. Not horrible, but nothing special either. Also, learn to read a winner's card, you senile old fucks.
Rated 29 Jan 2009
87
93rd
Very good crime oldie. Faye Dunaway without underwear is sexy like a bitch, so why a guy like Clyde cannot get his boner ready. Closet case for me. Good acting, storytelling and directing. Banjo brings some (necessary?) comedy extension. More entertaining than Oliver Stone's Natural Born Killers.
Rated 14 Aug 2007
78
77th
CLYDE BARROW WAS IMPOTENT, BUT THIS MOVIE WASN'T
Rated 20 Mar 2007
85
73rd
One of the most excellently crafted and acted crime dramas ever made. Absolutely stands the test of time as a classic for time to come.
Rated 19 Jun 2023
55
15th
Faye Dunaway this cute, Beatty was bearable for most of it. But 55 years later, any influence is gone, and you're left with a movie who doesn't have anything particularly strong going for it. It doesn't have the "coolness" of a Godard film, the grittiness of a classic film noir, or the dialogue of a Billy Wilder. At least an exploitation of this would have given me more violence or a cool soundtrack!!
Rated 04 May 2017
80
92nd
(Viewed on 12/06/14): Overrated by older cinephiles and underrated by millennials, Bonnie and Clyde is certainly an example of a film whose impact has been blunted over time, if only because standards for violence have loosened considerably since its release, so it seems rather tame today. But you won't find this level of craft in a contemporary crime drama, nor movie stars as mercurial and iconic as Beatty and Dunaway were in these star making roles; and the ending still packs a visceral punch.
Rated 28 Jun 2011
87
89th
What in God's name was Gene Hackman doing to that poor little girl?
Rated 14 Sep 2024
48
13th
Breathless with a banjo and some plot armor, it takes like a hundred bullets to kill these guys. At least those French douchebags had a sympathetic degree of vulnerability
Rated 15 May 2021
83
94th
This is a technical marvel, but with some rough edges around the directing sometimes. Beatty is mesmerizing, but Hackman steals his thunder in almost every scene they're together.
Rated 19 May 2020
94
95th
The most 70s film ever made in the 60s.
Rated 12 Oct 2019
80
88th
Just as I expected from what I knew of the story. Bonnie was the main character for me, Clyde was a dud, CW was quiet, and Buck was interesting. Blanche was very annoying so I'll attribute that to good acting. A better movie might have really focused on the law enforcement/media environment at the time which pumped up the gang. Fav scene: turning around to chase and pick up Eugene and Viola and driving them around.
Rated 20 Mar 2016
70
56th
B & C is an interesting and fundamental study of violence as an originary act which holds society together. As Benjamin puts it, violence has a law-making and law-preserving character and gangsters which go too far are actually the enemies of state because they reveal the origin of law and hence threaten it. In that sense this is a rebellion film like "Rebel Without a Cause" and you can see "Badlands" or Peckinpah's fast paced movies coming. Btw, Dunaway is sensational and Bonnie is unforgetable
Rated 16 Sep 2015
90
94th
On the erotic nature of deviancy, of trying to break free from ones shackles and ascending all the way up, out of the cave, to come into contact with the light, and into contact with the sublime, so that one may become immortal.
Rated 09 Sep 2015
90
93rd
From the upbeat opening titles to the brutal ending, Penn's film is a thoroughly absorbing and entertaining experience. The writing and frenetic action scenes are top drawer, and the gradual shift in tone is fantastically executed. Beatty and Dunaway are excellent as the notorious criminal pair, and Pollard and Hackman excel in supporting roles.
Rated 13 Dec 2013
70
42nd
I love how the characters become projections of each other's ambitions. Bonnie, the pretty Texas blonde, wishes to become a movie star. Clyde turns her into a notorious bank robber, which is as close to fame as she will ever get. Clyde, failing in the mister torpedo-area, uses his gun as a prime expression of masculinity. Thanks to Bonnie's admiration, the petty thief sees himself a world-class outlaw. But in the end, the film was only as good as the character's skills: mediocre at best.
Rated 13 Oct 2013
3
45th
A well-written, wonderfully performed, and beautifully shot period piece that may be influential and enjoyable enough, but nevertheless it doesn't amount to anything too remarkable.
Rated 10 Jan 2012
75
60th
Top notch acting by the leads but ultimately another great movie "for it's time" that doesn't hold up well today.
Rated 29 Jan 2011
94
59th
1 Shaqtacular
Rated 08 Sep 2010
86
95th
Mistakes - 1) In the scene where the gang is in the car eating the donuts, Blanch's donuts switches from being half eaten to only one bite and then back to half eaten. 2) In the first few minutes of the movie, when Bonnie first goes out to meet Clyde, she 'clomps' down the stairs in obviously hard, heeled shoes. A few minutes later, as they're walking, she's now wearing soft, flat shoes.
Rated 14 Aug 2010
78
56th
It's neat seeing a film so integral in the emergence of film violence. I enjoyed both of the main characters, especially Dunaway. But when the secondary characters came along I felt more annoyed than interested. I know Estelle Parsons' character was SUPPOSED to be annoying, but my god her shrieking was driving me crazy. The movie is interesting historically, entertaining for the most part, but somewhat forgettable overall.
Rated 24 May 2010
82
88th
Perhaps one of the finest movies of the late 1960s, highly influenced by the Nouvelle Vague, with its complex morality and sincere violence. Still, it is, as Easy Rider, the start and the end of a generation, as its finale claims.
Rated 01 Apr 2010
100
91st
Magnificent film version of the story of Bonnie Parker and Clyde Barrow. A perceptive film, quite stunningly directed. Beatty, who also produced this exciting, well-written gangster classic, is brilliant as the impotent hoodlum Barrow. The film established Dunaway as a major screen personality, and Parsons won an Academy Award for her supporting role as Clyde's sister-in-law.
Rated 21 Dec 2009
92
89th
I used to think this was a masterpiece, but it looks a little too arty and pretentious to me now. Great acting, though, by the entire Barrow gang. And don't forget Gene Wilder as the undertaker!
Rated 31 Jul 2009
81
86th
Seems to have bearly aged at all. Beautifully crafted and performed.
Rated 31 May 2009
80
75th
I don't think that its tongue in cheek folk-tale approach has worn too well, though it no doubt seemed very au courant and chic at the time of release. We have to put up with Dunaway's acting, which definitely has its shaky moments (though she of course has amazing cheekbones, and looks stylish in, and out of, a hat), and Beatty, who sometimes seems to consist just of a gigantic grin. But it's well-shot and keeps moving...and the death is quite scarifying (Hackman's wife is truly an idiot, btw).
Rated 14 May 2009
90
91st
Still quite violent, even today, though the violence does look dated you can still appreciate the visceral feel of the movie as well as the frantic editing which reflects the spontaneous personality of the leads. Beatty and Dunaway make a great couple and you can sense the almost perverse attraction between the two. It's certainly landmark cinema and it's still well worth seeing, even today.
Rated 20 Apr 2009
98
99th
It's historical significance is self-evident. Even with all the hype and eminence among most contemporary film critics, this film is structurally perfect. The cast is amazing; the bizarre, frayed relationships within the Barow Gang have an air of authority and authenticity. The camera-work is so sleek that it manages to seamlessly merge the self-consciousness of the French New Wave with the detachment of Italian Neo-Realism. Simply amazing.
Rated 03 Mar 2009
77
76th
Interesting from a cinematic history point of view, but as some have said here, it hasn't aged so well as other movies. Too bad I've seen this movie before I saw all those movies that it inspired. Still very enjoyable though.
Rated 12 Feb 2009
92
55th
Great biopic
Rated 30 Sep 2008
90
81st
Love it!
Rated 24 Aug 2008
64
20th
Ok, I guess. I can't see any reason to give it above a 65. Competent but dull.
Rated 21 Aug 2007
88
90th
Excellent
Rated 14 Aug 2007
71
69th
You know, Warren Beatty had the potential to be one of the greatest actors ever, but he only flashed brilliance, never sustained it.
Rated 14 Aug 2007
75
75th
A fun road movie and one of Hollywood's earliest blasts of hyperviolence.
Rated 14 Aug 2007
70
35th
Entertaining, at least for the first hour or so. It gets a bit spotty after that.
Rated 14 Aug 2007
80
80th
Nice production of a legendary tale
Rated 30 Jun 2007
50
38th
Not bad but waaay overrated. This is one of those movies considered great mostly because they're remembered as having broken a Hollywood taboo, but really there were much better, more daring (and even more violent) movies being made at the time. My dislike of Dunaway and hatred for Beatty aside, and corny bluegrass music notwithstanding, it's still an okay movie, especially the ending.
Rated 06 Aug 2024
60
69th
Most notable for being the most violent Hollywood film in over 30 years since the Hayes Code was implemented, shocking audiences (and thank goodness!). And the fashion, particularly Faye Dunaway as Bonnie's beret, became the latest trend.
Rated 12 Mar 2024
76
59th
audiovisual 74 acting 79 overall feeling 75 avg 76
Rated 19 Feb 2024
40
19th
Forgot to rate. Did not make a huge impression on me.
Rated 10 Jan 2024
82
82nd
It's a bit arty at times, but it's a good film
Rated 01 Jan 2024
85
85th
Main minus points are for all the hysterical screaming.
Rated 01 Jan 2024
80
79th
This is a somewhat stylish (for its time) film depicting the life and times of an infamous duo. I can see why it got a strong rating on its release, for fears of glamorising such a criminal lifestyle and the whole 'laissez faire' attitude of the titular characters. There is some bloody violence present, given it dates from the 60s - compared to the 80s 'video nasties' its fairly tame though. It must have seemed like a breath of fresh air for young adults in the 1960s (when it dates from)
Rated 05 Nov 2021
80
71st
Faye Dunaway sen ne guzel biseysin ya...
Rated 26 Feb 2021
95
58th
https://esperwatchesfilms.tumblr.com/post/644144089761202176/bonnie-and-clyde-1967
Rated 16 Feb 2021
78
85th
minimally unsafe romp that offers lots of room for sex analysis.
Rated 02 Feb 2021
3
72nd
I'm a slave for 70's Faye Dunaway. What a stunning beauty.
Rated 27 Dec 2020
65
20th
Ground breaking at the time, but it really hasn't aged well. The characters vacillate between charismatic and annoying and the pacing really drags in spots. The crime elements are very well executed, but other parts of the movie are too melodramatic. Basically it's the screenplay's haphazard nature that lets down a technically well made movie. By no means bad, just very underwhelming. Bonus: Gene Wilder's cameo is one of the film's highlights.
Rated 16 Jul 2020
83
89th
An entertaining piece of counter-culture mystique not without its problems, the meaning attached to it is of greater significance than the film itself.
Rated 14 Jun 2020
100
95th
Bonnie and Clyde is a perfect example of classic cinema. Great acting, good sound, and a script that keeps the whole thing moving and fun to watch throughout. I could watch this movie again and again. Warren Beatty's Clyde is cool, funny, and complicated. Faye Dunaway's Bonnie is badass, caring, and just as complex. The two main characters don't overshadow each other and they both deserve top billing in this nearly perfect film. I would say this movie made the couple more famous than than before
Rated 07 Mar 2020
50
8th
Rushtheirchemistry/himprovingherobs/theirplanning+1stbanknomoneylol+killcuzsloppy+ithinkhesimpotent+genewifesoannoyinglol+picwithcop-kiss-spitsinherfacelolguyssnap+Clovesherpoemthemputinpaper-madehimremembered-finallybangsherlol+sheaskswhatifwecouldwalkaway/norecord?-i'ddoitcleanerlool+sohisbroandwifewerepartofthegroupfamtooanddriver-brodied-wifesnitch-driverandhisdadsetup-ifthisistruethentheyunnecessarilykilledandmutilatedthemlol
Rated 13 Dec 2019
80
65th
Enjoyable and entertaining but mostly as a historical, nerd watch rather than the balls to the wall world-shatterer/mind-splatterer it would have been when first released. It definitely says more about the fluxxy attitudes of the 1960s than it does about the Depression (women, class war etc). Though Bonnie and Clyde are the DNA parents of the romantic murder-spree subgenre, as a media-poisoned millennial I prefer their less dated descendants; Badlands, Wild at Heart, Natural Born Killers etc.
Rated 02 Nov 2019
100
96th
This is a gloriously contradictory film. You can say it blends comedy and disturbing violence, but it doesn't exactly blend so much as just slap them there right next to each other. It pulls it off because of it's masterful balance of tone, never veering so far in one direction that jerking you back loses you entirely.
Rated 03 Aug 2019
65
22nd
"You've read the story of Jesse James Of how he lived and died; If you're still in need Of something to read, Here's the story of Bonnie and Clyde."
Rated 07 Jul 2019
60
35th
Romanticized version of the anti-establishment bank robbers. This fictionalized version of Bonnie and Clyde garner a bit of sympathy through most of the movie (I probably would have tried to rob a bank if Faye Dunaway had winked at me). It felt like an American revision of a French New Wave film that glorified the original American western. Close to five stars for the technical aspects, but it just wasn't a film I enjoyed watching.
Rated 02 May 2019
46
31st
This film scores points for being ahead of its time with violence, anti-heroes, and moral questions. My main gripe is that it doesn't ellicit emotions of being invested in the characters or feeling at odds with the crimes they are committing. The dialogue is earnest and I was rooting for the gang of criminals, but you never quite feel as attached as you should. Gene Hackman does a great job to liven up things, but it still suffers from being somewhat dull and too matter of fact.
Rated 25 Apr 2019
26
30th
I will admit to not understanding this movie at all; is it supposed to be funny? Seems mean-spirited and and insubstantial regardless. Also is everyone else just going to ignore the bizarre impotency subplot? lmao. Hammy shit but in a bad way.
Rated 15 Apr 2019
79
45th
DRAGS
Rated 12 Feb 2019
75
49th
A fun gangster story with an iconic set of lead actors in Dunaway and Beatty. The frank depiction of violence and sexuality must have been radical at the time. For the most part the film still holds up today, only the soundtrack was jarring at times and the character of Blanche almost plays as an offensive cliche now.
Rated 04 Dec 2018
60
27th
Clyde Barrow: "You know what you done there? You told my story, you told my whole story right there, right there. One time, I told you I was gonna make you somebody. That's what you done for me. You made me somebody they're gonna remember."
Rated 04 Nov 2018
60
46th
Pretty indifferent. Nothing really happens.
Rated 25 Sep 2018
65
51st
With some old films it is easy to see the greatness, even if they seem dated. In this case, however, I couldn't see what was so special about it.
Rated 16 Aug 2018
60
32nd
Wow I can't believe this is the movie that inspired the La La Land/Moonlight Best Picture flub. Iconic.
Rated 02 Jun 2018
90
94th
Considered by many to be the film that kicked off the modern era in cinema, it does so in style,
Rated 23 Apr 2018
80
55th
Not a fan of Faye Dunaway's performance here, but the action is top notch.
Rated 02 Aug 2017
91
88th
The final scene in this film may be one of my absolute favorites. It's brutal, it's raw, it's expected, but yet so sudden. Penn, with the help of Benton and Newman, beautifully crafts the characters of Bonnie and Clyde while managing to fill the audience with a sense of impending doom.
Rated 16 Jul 2017
99
90th
1
Rated 11 Mar 2017
70
57th
birbirine bu kadar yakışan bir çift az bulunur. üstüne bir de gene hackman ekleyince...
Rated 01 Feb 2017
77
21st
Good story.well writer and well clasic good movie
Rated 21 Nov 2016
57
11th
Maybe I'm a simpleton for not getting this old movie, but I just found it very boring.
Rated 30 Aug 2015
86
84th
Although it sounds like an abbreviated and compressed version of the actual events, it still works very successfully, mostly as a romance film because of how great the acing is, especially the two leads. The sense of adventure and breaking out of the norm of dull living is highly prevalent here, and the audience goes along on the ride -- plus the action is jaw-dropping, quite hardcore for the '60s.
Rated 14 Dec 2014
5
70th
there's no holding back on either the romanticisation nor the brutality of this couple's thievery and murder, a combination that works beautifully in this movie about the inherent fascination of crime. i don't think the film is nearly as sympathetic toward its two leads as some think it is.
Rated 03 Dec 2014
85
92nd
(2nd viewing)
Rated 11 Aug 2014
99
96th
The way amusement twirls blindingly into brutality, as when a robbery concludes with a meat cleaver and a bag of flour, or a bungled escape with a bullet in a bank man's face. The confrontation with a state trooper who's made to sit for the gang's photos, and then foolishly freed. The scene where C.W., a gas station helper, impulsively flees with the couple. The scene where C.W.'s father easily badgers him for getting a tattoo. And then the slow-motion formalized dance of the ultimate massacre.
Rated 21 Jul 2014
77
77th
* Casting, Acting : 8 * Script : 8 * Directing, Aura : 7.5 * Ease of Viewing : 7 * Naked Eye : 8
Rated 21 Apr 2014
57
52nd
given the storyline & the actors this isn't as good as it ought to be
Rated 06 Mar 2014
85
87th
Why do we love outlaws so much?
Rated 18 Sep 2013
85
83rd
85.000
Rated 31 Aug 2013
73
40th
Enh. Faye Dunaway had her moments, and the level of violence was way ahead of its time but it had a lot of sketchy moments.
Rated 01 Aug 2013
76
44th
Certainly an important movie, but not something you need to watch more than once.
Rated 14 May 2013
82
47th
Revolutionized crime films forever. Warren Beatty gives a commanding performance as one half of this criminal duo. Though at times the story moves slowly there is no denying how great this movie is.
Rated 25 Apr 2013
90
55th
Extremely likable charismatic criminals go on a radically enthralling joy ride. Watch this movie its great. Not a dull moment.
Rated 13 Mar 2013
82
64th
It's definitely a huge part of film history - and if you're interested in the development of Hollywood, you should watch this movie. And I like the slightly satirical, offbeat tone - but it's still not an especially great watch.
Rated 12 Mar 2013
80
68th
It's precisely because the early scenes are so fun and exciting that the eventual downfall of this couple ends up kind of startling as they find themselves ostracised, on the run and struggling to survive. Faye Dunaway's performance is terrific.
Rated 22 Feb 2013
85
81st
Groundbreaking and enthralling. More than the simple glorification of crime that I expected going into it.
Rated 16 Feb 2013
80
73rd
Really great performances from Beatty and Dunaway (who is also just plain gorgeous in this) make this one of the most believable and interesting film relationships. Dated in some ways, but a really fun ride with a dark edge to it.
Rated 14 Jan 2013
44
21st
I just found it a chore to get through, and lacking in any tension.
Rated 23 Dec 2012
73
28th
This is kind of a 'I don't remember a whole lot' score. But it was still a good watch, and its influence is obvious.
Rated 10 Nov 2012
77
76th
Psikopat sevgililer, yolculuk, banka soygunu, katiller, Barrow çetesi, 5 kişilik çete, anlasamayan kadinlar, catisma, finalde taranarak öldürülme (ikiliyi temize çekmek için katillerin polislerden başkasina dokunmamasi ve bu yolla sempatik gösterilmesi garip)
Rated 31 Oct 2012
87
39th
86.500
Rated 09 Sep 2012
80
66th
This is one of the most influential films ever made in America, in that it took an archaic genre - the 1930s gangster film - and reinvigorated it for the moods of the sixties. It was an antiestablishment picture, a love story, and a ballad for sexual fulfillment. Penn was an electric director of actors then, and passionate with violence. Beatty saw the film as a story about celebrity. The film felt like an escaped wild animal, and in the finale you feel the beast being put down and getting laid.
Rated 30 May 2012
85
80th
84.875.
Rated 06 May 2012
70
46th
Hasn't aged well
Rated 02 Jan 2012
55
11th
It's clear to see the impact that 'Bonnie and Clyde' made on the film world in this time. I just found it dated and full of characters that I found little to no interest in.
Rated 10 Dec 2011
73
52nd
Not particularly impressive, but still pretty entertaining nonetheless.

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