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Blue Jasmine
2013
Drama
1h 38m
Blue Jasmine is the story of the final stages of an acute crisis and a life of a fashionable New York housewife. (sonypictures.com)
Directed by:
Woody AllenScreenwriter:
Woody AllenBlue Jasmine
2013
Drama
1h 38m
Your probable score
Avg Percentile 57.86% from 3193 total ratings
Ratings & Reviews
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Rated 08 Aug 2013
8
78th
Woody Allen movies are like the anniversary BJ's you get from your spouse. They only happen once a year, and after it's done, you can hardly wait for the next one.
Rated 08 Aug 2013
Rated 12 Jan 2014
3
28th
Woody is living in his own world. So devoid of reality that you can't take the movie seriously at all. Who talks like this? If some bitch said to me in my mansion "this garden is so established" I would be like listen, you have 2 options: 1) start sucking or 2) run away before I shoot you in the face you weirdo. It's like they are theater actors in real life, it's just bizarre and unbelievable.
Rated 12 Jan 2014
Rated 04 Sep 2013
80
78th
If I was as good at anything as Cate Blanchett is at acting I probably would be spending my time doing that thing and not writing mini reviews on Criticker.
Rated 04 Sep 2013
Rated 31 Aug 2013
3
28th
A bunch of broad, two-dimensional caricatures - many of whom will make you wonder if Woody Allen has, in fact, ever actually spoken to or interacted with another human being - in search of a plot. Sally Hawkins is very good, at least.
Rated 31 Aug 2013
Rated 20 Jan 2014
60
63rd
There is something impressive about the way Allen shows the implosion of a universe, but the film offers so few pleasures to the audience that it can only really be measured by the power of its insights and the strength of its performances, which did not convince this viewer as much as others. The harsh moral light that Allen insists on casting is indeed something of a bracing tonic in a world that has mostly given up the notion that lives can be judged. Still, something of a disappointment.
Rated 20 Jan 2014
Rated 08 Jan 2014
65
42nd
Woodsy Allen has been rich too long. How in the world does a grocer afford an apartment like that? MY IMMERSION.
Rated 08 Jan 2014
Rated 05 Jan 2014
55
52nd
It's ok, quite good in places if not for the obvious strings pulled around like a tv drama. The director who used to turn up with one phenomenal film after another is long gone.
Rated 05 Jan 2014
Rated 01 Sep 2013
75
66th
This is seriously like a Mike Leigh movie. The supporting characters are pretty broad, but Blanchett is amazing here. I guess you can accuse this of "using" mental illness for a story like people have argued with Silver Linings Playbook. On the other hand, this doesn't have the dumb redemption qualities of that film. Weirdly harrowing, it's basically the opposite of any movie Woody Allen has made in 30 years.
Rated 01 Sep 2013
Rated 17 Aug 2013
80
81st
Woody's best since Deconstructing Harry. If Blanchett doesn't get the Oscar for this Im boycotting that shingdig for life.
Rated 17 Aug 2013
Rated 14 Aug 2013
80
86th
Cate Blanchett is formidable, in all the senses of the word. This isn't the realistic, 'Hannah and Her Sisters'/'Husbands and Wives'-Woody; rather, it's a more heightened dark comedy of (stereotypical) manners. Casting is phenomenally successful across the board, and the heart provided by characters Chili and Augie counterpoints the tang of unbecomingly aloof satire.
Rated 14 Aug 2013
Rated 07 Aug 2013
85
89th
One of Woody Allen's all-time best character studies (!). 'Blue Jasmine' is - thank God - stripped of the lightweight satire and semi-cheesy nostalgia of his last two films instead bringing forward an equally horrifying and irresistible portrait of the post-financial crisis hangover embodied by a never better Cate Blanchett and terrific ensemble performances.
Rated 07 Aug 2013
Rated 15 Jan 2014
83
88th
While this certainly is Woody doing streetcar named desire, he did a good job with it. The plot was compelling and interesting, the acting was really very good, but the shallowness of the characters keeps it from being a great movie.
Rated 15 Jan 2014
Rated 08 Jan 2014
91
87th
Cate Blanchett really carries this film, but the entire film was smartly casted overall. I think that last scene of her on the bench will be one of the most memorable images/scenes of any Woody Allen film ever.
Rated 08 Jan 2014
Rated 06 Jan 2014
91
94th
Where has THIS Woody Allen been for the last 20 years? Mature, focused, insightful, character-driven, and wildly entertaining, this movie exemplifies Allen at his absolute best. His time-shifting structure, much like in Annie Hall, gives scenes a dramatic punch. And this is some of his absolute best casting. Blanchett gives the best performance I've ever seen in an Allen film, and the supporting cast is excellent all around. This film sits alongside Annie Hall and C&M as one of Allen's greats.
Rated 06 Jan 2014
Rated 01 Oct 2013
85
91st
Will rightly be held in the same regard as Allen's absolute best films; this is a character study of immense intricacy. Much has been made of this being a straight Allen drama, but it's darkly comic too. Blanchett's performance is simply a towering, all encompassing work of genius, but credit must also be given to the supurb Hawkins who at no point is dwarfed by the hugeness of Blanchett's performance. I had some minor complaints, but they're not worth bleating about. Highly recommended.
Rated 01 Oct 2013
Rated 30 Sep 2013
77
62nd
Good luck to all other actresses who will compete in Best Actress category in Oscars this year. Cate Blanchett is absolutely sensational! Since this is a comedic performance and a great satire for all the Valley Girls out there, it's definitely not an overacting. Cate Blanchett is the heart, mind and body of this film. She IS Blue Jasmine. Film itself is not great overall but Woody makes 1 good 1 bad movie these days. This is his good year. Not Midnight in Paris good, but likeable enough.
Rated 30 Sep 2013
Rated 21 Sep 2013
84
71st
This has the creepiest fuckin' dentist, and that's saying something when Marathon Man is out there.
Rated 21 Sep 2013
Rated 15 Sep 2013
10
6th
Oh look, a Woody Allen movie that's set in New York City, tries/fails to be funny, and features neurotic self-absorbed white people who spend two hours freaking out about their first-world problems. Certain scenes are worth a watch for the great performances of two Boardwalk Empire alumni. Other than that, this film stinks.
Rated 15 Sep 2013
Rated 09 Sep 2013
75
65th
While the writing and plotting were at times weak, the ensemble cast carries it extraordinarily, particularly Blanchett. Jasmine is an entitled, wealth-obsessed jerk who cares more about how she appears to people than the people themselves. And yet Blanchett somehow manages to pull some sympathy from the viewer through her collapse, although not a lot. The issues of class and happiness were reasonably well explored, though SF as the home of the poor, working class girl was kinda hilarious.
Rated 09 Sep 2013
Rated 14 Aug 2013
90
84th
Blanchette and Hawkins give knockout performances in a film that makes nostalgia terrifying.
Rated 14 Aug 2013
Rated 11 Aug 2013
75
65th
My biggest problem with this is that I found Jasmine to be an increasingly pathetic and detestable character throughout. Blanchett's performance is brilliant, but it becomes tainted by how much I just disliked the character. By the end she seemed more like the villain than Baldwin to me. I thought the sister's story was much more engaging and would have liked to see more of that and Louis C.K.
Rated 11 Aug 2013
Rated 07 Aug 2013
50
14th
The only thing worse than a poor, pointless production, is a well done one where you walk out saying, "what am I supposed to do with that?" You can't blame it on the lack of talent. Is it there so we can point to the tragic figure who is suffering from self-induced blindness and say, Ha!, that's not me? There's no upside from that in it for me.
Rated 07 Aug 2013
Rated 27 Jul 2015
80
88th
Yet another Woody Allen movie. Cate Blanchett is amazing as ever. A very simple story about the materialistic American elite and the financial crisis done to perfection. This movie revolves around Cate Blanchett and she delivers. The normal person would root for Cate Blanchett to survive, spoiler alert, Woody Allen doesnt do what one expects. A must see.
Rated 27 Jul 2015
Rated 28 Mar 2015
82
89th
Cate Blanchett just gave a spectecular acting performance.
Rated 28 Mar 2015
Rated 25 Feb 2015
85
85th
Tour-de-force performance by Cate Blanchett, one of the best of an already-extraordinary career. That paired with a smart Woody Allen script and an inspired supporting cast makes this a real winner.
Rated 25 Feb 2015
Rated 27 Jan 2015
80
73rd
What we have here is a just a great film. Blue Jasmine manages to deliver not only amazing performances but also a compelling tale to follow of America's elite and the search for necessity. Blanchett is phenomenal, and Allen shows he can still provide compelling visuals behind the camera. A win in my book.
Rated 27 Jan 2015
Rated 04 Mar 2014
81
75th
Blanchett is a goddess... One of the best performances ever.
Rated 04 Mar 2014
Rated 03 Mar 2014
87
88th
I totally agree that the Best Actress 2014 should go to Kate Blanchett for her amazing performance in BJ. She is simply incredible to watch as her life falls apart a little bit more each day in this wonderful Woody Allen character study. Totally believable, Totally consistent, and supported superbly by the excellent cast around her. Her story is told in flashback, and the editing, direction and script help make this one of the most enjoyable films I have seen for many months.
Rated 03 Mar 2014
Rated 27 Feb 2014
80
68th
Cate Blanchett running into Andrew Dice Clay at that exact right moment near the end of the movie is so unlikely that it might as well have been supernatural. What was he even doing in that neighbourhood? Seriously, it would make more sense if Dice were a ghost returning to settle some unfinished business.
Rated 27 Feb 2014
Rated 07 Feb 2014
86
77th
cate blanchett carried this film. my god was she phenomenal. woody allen owes her a lot for what this film ultimately became, because i think without her, it would have been one of his more mediocre endeavours. the film succeeded so profoundly as a character study. i wasn't struck with thematic catharsis here, the way i was with midnight in paris, but i think after that, this is my favourite allen film because it manages to get under the superficial skin (unlike much of allen's canon).
Rated 07 Feb 2014
Rated 26 Jan 2014
45
36th
All the actors are great, but I guess Woody Allen can get away with ripping off A Streetcar Named Desire. Another film from 2013 that felt like a vehicle for its actors more than anything, though it's definitely more cohesive and better than American Hustle.
Rated 26 Jan 2014
Rated 24 Jan 2014
78
75th
Jasmine is the decline of America embodied, completely obsessed with image and status, all accomplishment left in the past, unable to comprehend what went wrong and why any of it is her fault.
Rated 24 Jan 2014
Rated 15 Jan 2014
80
44th
It won me over by the end with the acting of everyone involved -- Clay is especially great. I don't know what it offers beyond those things, though. (The comparisons to Streetcar are apt, at any rate.)
Rated 15 Jan 2014
Rated 14 Jan 2014
64
26th
Allen, Cate Blanchett'in müthiş performansının da yardımıyla, modern hayatın kırılganlığından yola çıkan, güçlü ve sert bir karakter çalışmasına imza atıyor. Paralel kurgusu, anlatıma kayda değer bir katkı sağlıyor.
Rated 14 Jan 2014
Rated 11 Jan 2014
79
85th
I really do appreciate the way Allen repeats himself. He is always saying the same thing but in a beautiful different way.
Rated 11 Jan 2014
Rated 06 Jan 2014
80
77th
Each and every scene involving Blanchett is a non-stop jaw dropping act of genious. Allen has finally delivered one of his truly greatest films after so many years.
Rated 06 Jan 2014
Rated 06 Jan 2014
6
81st
A modern-day Woman Under the Influence with Blanchett giving a performance as memorable and frightening as Gena Rowlands. She's absolutely brilliant. It's also perhaps Allen's harshest yet, surpassing even Crimes & Misdemeanors and Match Point, both of which were laced with laughs or thrills throughout. Blue Jasmine is levied by neither; it's a miserable experience but one of Allen's most touching and heartfelt films.
Rated 06 Jan 2014
Rated 03 Jan 2014
86
79th
Blanchett reveals impressive hidden depths as Allen flexes his character study muscles and gives us one of his best in years, the perfectly-structured story and effortlessly good cinematography delivering a movie that could only have come from a long-working master filmmaker, with a killer cast that pedigree deserves. Allen is the kind of guy where after you've seen one of his movies you're just so glad he's out there doing his thing. edit filmmaking not molesting children
Rated 03 Jan 2014
Rated 10 Nov 2013
56
46th
One hysterical, overplayed breakdown after another, surrounded by very thin material that doesn't move. There's no humanity in a film when all you're being asked to do is feel superior to its characters.
Rated 10 Nov 2013
Rated 14 Oct 2013
90
79th
Cate Blanchett is phenomenal, but you know that; there's much else here to appreciate too. It's a great story - Streetcar meets that Hey Arnold! episode where Rhonda's famly go broke. But, er, better than that. The screenplay is sharp and often raw, pithy but natural. And supporting cast are top-shelf, from Hawkins and Cannavale's down-and-dirty couple to Baldwin's scuzzy businessman and CK's horny audio engineer. Hell, I loved the whole film. But I liked To Rome With Love, so what do I know?
Rated 14 Oct 2013
Rated 20 Sep 2013
80
79th
A good movie with the right balance of awkward drama and humor. Also has a good length, not too long nor too short; I enjoyed it a lot.
Rated 20 Sep 2013
Rated 06 Sep 2013
80
54th
Amazing acting from a strong cast - most notably Blanchett and Hawkins - raise Woody Allen's latest film above the disjointed writing that leaves a little to be desired. Its structure of flashbacks slowly reveal the kind of person Blanchett's character is, but despite having an intriguing point-of-view on the 1% of America, I didn't really take away much from it.
Rated 06 Sep 2013
Rated 01 Sep 2013
75
72nd
One of Woody's (few) late-career gems, "Blue Jasmine" is an effective and occasionally gut-wrenching psychological study of a broken woman, portrayed superbly by Cate Blanchett. Allen's script isn't without its contrivances and his direction is merely passable, but the power of the performances, the delicious bits of dark comedy and the overall remarkable portrayal of a deeply troubled person contribute to a compelling and emotionally forceful picture.
Rated 01 Sep 2013
Rated 24 Aug 2013
92
93rd
Lots of kudos for Blanchett, but there is an equally great performance from Sally Hawkins here. I hope they both get recognition from their peers on this film.
Rated 24 Aug 2013
Rated 24 Aug 2013
66
10th
Others seem to love it but to me BJ is one of Allen's weakest and most tiresome movies. Blanchett may act well but her character Jasmine is the sort of desperate, egocentric, repetitive wretch you want to cast into the gutter and abandon ASAP - not spend 90 minutes stuck with. I found the rest of the film - the themes of money, class and suitable partners; the other characters and locations - bland and banal. I can't believe the mind that came up with Midnight in Paris can spew out such tosh.
Rated 24 Aug 2013
Rated 24 Aug 2013
40
35th
Truthfully, then, Blue Jasmine is moving and illuminating and beautifully acted. It is also bitterly profane and tragically bleak. While some have called it a comedy, it is of the saddest sort I've ever seen. There is occasional levity, but little hope. It only mutters to itself its anguish and pain in the dark of the theater (pluggedin.com)
Rated 24 Aug 2013
Rated 22 Aug 2013
87
81st
As a former Bay Area resident I can't help but be disappointed that Allen mostly used tight shots of Blanchett and interior scenes instead of highlighting the beauty of San Francisco as he did with Paris in "Midnight." And I do wonder if the use of San Francisco as the town where the poor blue-collar sibling lives was intentional for comedic effect.
Rated 22 Aug 2013
Rated 12 Aug 2013
77
86th
Best Woody Allen in years. Clate Blanchett should at least receive an Oscar nomination for her portrayal of a woman on the edge of a nervous breakdown.
Rated 12 Aug 2013
Rated 09 Aug 2013
70
69th
Great film, even though the stories structures is very similar to Streetcar Named Desire.
Rated 09 Aug 2013
Rated 05 Aug 2024
7
72nd
I was pretty indifferent to this movie when it came out, but now, having seen most of the truly abysmal Woodys, I'm a lot more impressed by it. The plot thread with Jasmine taking a computer class is really the only truly bizarre Old Man Woodyism. Does he really think that if you want to learn to use a computer, you have to go to school? Particularly for something basic like an online class? I mean, yeah, we all know he's a Luddite, but true Woodyheads know that he can at least send texts.
Rated 05 Aug 2024
Rated 17 Jan 2024
95
96th
Although the quality of Allen's films became more inconsistent in the 90s, he still delivered some homeruns. This is underrated. Not only does Blanchett deliver an Oscar-worthy performance, Allen does something different here. This is a portrait of class that highlights all the massive differences between the genuinely privileged wealthy & blue collar workers, while at the same time showing their similarities in terms of desires & flaws. His third act also delivers a genuinely surprising twist.
Rated 17 Jan 2024
Rated 13 Nov 2023
85
95th
Rares sont les auteurs capables de rendre un personnage détestable, et attachant à la fois. Allen est un génie, avec des hauts et des bas, mettez lui une Cate Blanchett entre les mains, et vous obtenez l'un de ses meilleurs films. C'est tendre, et méchant. La dernière scène est vraiment magnifique, et compile toutes les thématiques du film, la satire, la dépression, l’effroi, la solitude, et la folie.
Rated 13 Nov 2023
Rated 26 May 2021
77
61st
Cate Blanchett can sell me anything.
Rated 26 May 2021
Rated 01 Jul 2020
60
12th
I fell asleep but I do recall the offensive depiction of lower-class people. I left this one questioning why anyone would enjoy a Woody Allen movie.
Rated 01 Jul 2020
Rated 30 Jun 2020
65
66th
Allen expertly crafts the disintegration of a women (Jasmine) into fragments of depression, anger and despair. This is not the portrayal of a 'loonie' or 'crackpot' (Allen knows and does much better than to abuse those dangerous and inhumane clichés) but rather a woman to whom life has not been kind. It raises some interesting and important questions about mental health and what is considered 'normal'. One of the more depressing Allen films that I've seen.
Rated 30 Jun 2020
Rated 29 Jan 2020
90
98th
"Anksiyete, kabuslar ve sinir krizi, bir insanın sokağa çıkıp çığlık atmaya başlayana kadar dayanabileceği çok fazla travma var." // ''Tip big, boys. Tip big because you get good service and they count on tips. You know, someday when you come into great wealth, you must remember to be generous.''
Rated 29 Jan 2020
Rated 24 Apr 2019
90
87th
Allen's very loose take on "A Streetcar Named Desire" is easily his best film since the 90's. It's a well-written film with a good cast including really strong supporting performances from Michael Stuhlbarg and Andrew Dice Clay, but it's Blanchett's incredible, fearless performance that really elevates this one.
Rated 24 Apr 2019
Rated 28 Mar 2019
31
16th
First, why do all characters have to be so stereotypical? Second, is W. Allen bringing proles in the movies just to show that it is not a unique feature of the bourgeoisie to be loathsome, thereby redeeming it some? Third, even though he shows how cute they can be, why do the proles in this movie have to be depicted as brutish? Is he just trying to hide his fundamental class condescension? Also, nice to see that W. Allen cannot do a movie without old guys dating way younger women... (rolls eyes)
Rated 28 Mar 2019
Rated 25 May 2018
55
26th
Just like Jasmine, Woody Allen himself feels more and more like he's sitting on a parkbench babbling on about memories nobody else cares about.
Rated 25 May 2018
Rated 21 Aug 2017
63
58th
there's an undeniable pattern in Allen's latest work; his 'stories' are getting more and more character driven and losing 'the substance' that hold together the movie. this reality is somewhat obscured in Blue Jasmine by Blanchett's killer performance. A year on from watching this, you'd tell yourself that she was excellent, wouldn't remember anything about the story. No memorable lines, no meat on the plot. It feels like Allen's running out of things to say.
Rated 21 Aug 2017
Rated 03 Apr 2017
40
17th
It is better to read a streetcar named desire or maybe watch an old movie version of it.
Rated 03 Apr 2017
Rated 26 Feb 2017
3
41st
Visst är Blanchetts skådespeleri utmärkt, men jag känner aldrig med henne och blir heller aldrig engagerad i hennes karaktärs öde. Jasmine är en rätt obehaglig huvudperson och till och med hennes bedragare till exman framstår som sympatisk i jämförelse. Det är nog manus som brister: Filmen gestaltar ingen förändring eller utveckling utan redan från första filmrutan är allt skrivet i sten.
Rated 26 Feb 2017
Rated 14 Feb 2017
80
75th
Cate Blanchett is *exquisite*. And Woody Allen's well-crafted subtlety and goofiness succeeds again. Bravo.
Rated 14 Feb 2017
Rated 14 Oct 2016
70
47th
It all feels a bit pointless. It doesn't really make you think and some of the characters feel a bit like caricatures, but the film is made in such a way that it's entertaining enough to keep watching.
Rated 14 Oct 2016
Rated 13 Aug 2016
71
49th
This is what happens the people in Rosemary's Baby got into an existential crisis. Blanchett alone deserves a 90; she did wonders with the character given to her. It was a bit uncomfortable to watch (and I have no sympathy for New York socialites so it was hard to identify with); but there were moments here and there the Allen's old flair showed up. Take home message: Ignorance is evl in its own right.
Rated 13 Aug 2016
Rated 15 Apr 2016
70
42nd
The acting was good, the story was classic..
Rated 15 Apr 2016
Rated 02 Mar 2016
70
51st
This film lives from Blanchett's vibrant performance. In the one minute she's hilarious and in the next she transforms into a hot mess. No wonder she won an Oscar for that role. Blanchett is simply brilliant! But apart from that, the story wasn't really my taste. There was not a lot to sympathize with. I guess I'm just not a Woody Allen fan.
Rated 02 Mar 2016
Rated 18 Feb 2016
15
82nd
Star Rating: ★★★★
Rated 18 Feb 2016
Rated 10 Nov 2015
100
0th
"I don't think it's a character I'd aspire to connect to!"
http://illusionpodcast.blogspot.com/2015/11/episode-78-serious-films-of-woody-allen.html
Rated 10 Nov 2015
Rated 17 Oct 2015
56
55th
Solid performance by Blanchett and her supporting cast. Especially, It was a pleasure to see Baldwin and Mr. Ford Fairlane himself in a quality film for a change. It's a lot darker / more melancholy film than Allen's previous few and Blanchett's Jasmine is an intriguing character, but I didn't quite get what Allen wanted to say with the film.
Rated 17 Oct 2015
Rated 20 Sep 2015
79
47th
Such a beautiful disaster. Another one of Woody Allen's elegantly wasted heroines, capricious and messed up. I liked Allen's take on the variations of the sense of entitlement amongst the wealthy and the simple, the polarity of points of view. Both Blanchett and Hawkins are amazing, but Blanchett's task in this film is really tough and she delivers flawlessly.
Rated 20 Sep 2015
Rated 08 May 2015
66
70th
Blue Jasmine is a well-acted, oddly captivating tragedy that doesn't really go anywhere. Blanchett does a great job capturing Woody Allen's neuroticism in her portray of a woman unhinged, and Hawkins is always a pleasure to watch, this time as an oddball with an American accent. The film is at times funny, more often depressing and it's a real quandary whether to pity Blanchett's character or to pity every character she comes in contact with.
Rated 08 May 2015
Rated 12 Feb 2015
85
73rd
Cate Blanchett does a great job, creating mood and pace for the whole movie. Just another great drama from Allen.
Rated 12 Feb 2015
Rated 31 Jan 2015
7
73rd
Charming but sad, character driven tale of people struggling to maintain functional relationships. Excellent performances.
Rated 31 Jan 2015
Rated 28 Jan 2015
60
62nd
Not bad.
Rated 28 Jan 2015
Rated 15 Dec 2014
70
54th
Better than the last couple of Allen movies. I enjoyed it a lot more than I expected going in, but wasn't blown away
Rated 15 Dec 2014
Rated 30 Nov 2014
63
53rd
I've never been a huge Woody Allen fan, but Jasmine French is probably the most indelible character he's managed to create (in this case, with Blanchett's help) in years if not decades.
Rated 30 Nov 2014
Rated 12 Nov 2014
89
68th
one of my favorite woody allen movies (not generally a fan). great performances by cate blanchett and sally hawkins. they made me feel things.
bechdel test: 3/3
Rated 12 Nov 2014
Rated 26 Oct 2014
52
46th
Although the acting of Blanchett is amazing and very credible, I don't feel like the story goes anywhere. How does she end up? At the end of the movie she is the same wreck as she was at the beginning of the movie. Because of the good acting I give it a 52/100.
Rated 26 Oct 2014
Rated 14 Oct 2014
34
13th
I don't know if we're supposed to revel in this pampered socialite's downfall, but I found the movie relentlessly uncomfortable to watch. On the plus side, there's a cameo by Louis C.K.
Rated 14 Oct 2014
Rated 04 Oct 2014
70
50th
This seems like an intentional reworking of A Streetcar Named Desire. Cate Blanchett does a great Blanche, making us somehow feel sorry for even as she brings most of her problems on herself with her pretentiousness, snobbery and lies. I wasn't sure why the film was set in San Francisco while most of the characters seemed very New York-y including the sister's ex-husband and her new boyfriend and his friends. No real use of the location.
Rated 04 Oct 2014
Rated 13 Aug 2014
86
80th
Cate Blanchett's character is affluenza patient zero, a one-percenter defenestrated from her palace only to fall on the cow manure below. Watch as she tries and fails to put your life back together. Watch and laugh at her misfortune. Mwahaha...
Rated 13 Aug 2014
Rated 03 Aug 2014
7
57th
Blue Jasmine is a simple yet compelling story of a lost, wrecked, delusional and mean spirited woman. I think the success of any Woody Allen film relies heavily on the script and the casting. And here both elements are superb. Cate Blanchett gives a remarkable performance and she's arguably Woody Allen's most captivating character in years. Sally Hawkins is as equally impressive. As is the whole of the stellar supporting cast. Ultimately it's a very simple story, but it's told to perfection.
Rated 03 Aug 2014
Rated 24 Jul 2014
71
79th
Very good. Although Jasmine as a character has a bit too many dimensions just for the show of it.
Rated 24 Jul 2014
Rated 23 Jul 2014
80
44th
Cate Blanchett does a good performance thing here. I was kept amused, but it was like a straight heart rate line, anything bad that was going to happen was to be expected. I think the type of person this movie's making fun of and trying to teach a lesson to isn't going to pay attention, it's more for the people who make fun of those, so no one's learning anything.
Rated 23 Jul 2014
Rated 22 Jul 2014
4
91st
So slick the stereotype-ness fades and is forgiven, time-tinkering gives rhythm and balances building tensions brilliantly. A lovely mix of themes and allusions played perfectly.
Rated 22 Jul 2014
Rated 08 Jul 2014
65
60th
Rated 16 Jun 2014
70
40th
The deck feels more than a bit stacked against Blanchett's Jasmine, so the key for this working at all is the humanity, the frailty, and the tenderness underneath Blanchett's performance. Certain elements don't ring true (no computer in the receptionist's office?), but the central narrative around Jasmine (and the one around her sister) is compelling overall. The final shot reminded me of Fellini's Nights of Cabiria, but in an alternate universe--Allen's nihilism can't touch Fellini's pathos.
Rated 16 Jun 2014
Rated 23 May 2014
83
88th
I think this is the first Woody Allen movie I've seen that isn't either "Starring Woody Allen as Woody Allen" or "Starring some other person as Woody Allen." And it's still really really good.
Rated 23 May 2014
Rated 15 May 2014
94
64th
Still recovering from Cate Blanchett's incredible performance.
Rated 15 May 2014
Rated 18 Apr 2014
70
26th
Take the neuroses of the entire island of Manhattan and squeeze it into one human being, and you get a sense of what Cate Blanchett does with this role. However, a great performance does not a great movie make.
Rated 18 Apr 2014
Rated 08 Apr 2014
70
70th
Amazing performance from Cate Blanchett as she depicts the downward spiral of a disgraced socialite. Her husband is a con man in business and life. Her extravagant pampered life crashes down and she struggles to cope with it and retain her sanity. She is an elegant train wreck. I really disliked how disjointed this felt. The editing reduced it to an almost random barrage of cut scenes with many good gritty scenes haphazardly strewn together.
Rated 08 Apr 2014
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