Barcelona

When Stillman makes me laugh I really enjoy his films & he does so here. This film's humor isn't for everyone though as Stillman doesn't write jokes exactly, but creates 2 mostly likeable leads who lie to themselves in ways that made me LOL at least 3x. The film also looks great & their conversations are also interesting because Stillman himself is truly unique. He may be the only critically admired filmmaker who doesn't seem to view well-off CONSERVATIVES as mostly bad people.

I can see why Baumbach nabbed Eigeman for his debut Kicking & Screaming

Why is Chris Eigeman not Hollywood royalty? That guy is definitely in my cool book.

Stillman followed up the success of METROPOLITAN with this romantic comedy set in, as you would assume, Barcelona. Again, his sense of pacing is a bit trying, but he shows much improvement as a director here, aided by John Thomas' lovely cinematography. And his script is no slouch, as naval officer Fred (Chris Eigeman, wonderful) bemoans America's poor standing in Spain, while his cousin Ted (Taylor Nichols, solid) grapples with love and Fred. Points also for a very dark twist (which pays off).

It’s easy to see why many bounce off Stillman’s films - oh, the plight of the educated WASP! - but they still have an undeniable wit and charm. This isn’t the most substantial of his features, but it’s still extremely droll and satirical with interesting things to say about anti-American sentiment and a lot of smart, funny dialogue.

The least impressive of the three, but in some ways the funniest.

Didn't like it at first, but it slowly grew on me, and I felt it really took off in the third act (the opposite of Metropolitan, funnily enough), with some genuinely funny moments (Fred's interpretation of The Graduate is hilarious). Eigemen and Nichols essentially play the same characters from the earlier movie only in a different milieu/circumstances, and yet it somehow works in the movie's favour. The transfer used for the region 4 DVD, on the other hand, is abysmal.

I found most of this movie tedious and annoying. The girls were beautiful, but you don't see enough of them. It does have a few interesting cultural aspects and insights about being an American in Spain. I can not recommend this movie. The acting is stiff and frequently uninteresting and boring. Almost a complete misfire as a comedy.

This is my favorite Whit Stillman film yet, and I'm not even sure why. Maybe it's because the focus is on two guys instead of a large cast of characters. Something about the familiarity with them makes their antics that much more enjoyable, and the dramatic twist at the end much more powerful. Chris Eigeman is to Whit Stillman as Jack Nance is to David Lynch; that is to say Eigeman is the perfect expression of Stillman's voice.

Not quite as funny or as life-affirming as Metropolitan, but the smaller scope (and by that I mean less characters) there's room to devote more time to everybody. In the process, you get a lot more familiar with everyone. This is pretty important because sometimes Stillman's characters can be close to ...annoying? It's a really good movie. I don't know.

This was great. Chris eigeman is terrific In this.

Metropolitan was good but Barcelona was great. The relationships between characters felt a lot more meaningful. Whit Stillman has a knack for writing intelligent yet accessible dialogue. Chris Eigeman is also a highly underrated actor. Great for anyone seeking a intelligent yet light film.

Another great Stillman!

Taylor Nichols is not a good lead.

The perfect film!

Now this is my idea of a popcorn movie. Spry and funny dialogue-driven comedy that engages some interesting sociopolitical commentary, but which never distracts or aims to serve as the focal point of the story.

This contains what might be the best single scene in Stillman's filmography--Ted's Bible-reading while dancing to Transylvania 6-5,000. In that scene, Stillman's typically wry humor draws attention to the beating heart of the film's central character. The film as a whole is filled with great moments, though it feels a bit more uneven than Stillman's other works. I appreciate the way this one moves forward in time from Metropolitan, observing the society set as they make their way in the world.