Andhadhun

With a wonderful, twisty plot that plays tight and fair (Hitchcock would be proud of this), mixed with fine performers and a liberal injection of Bollywood sensibilities, this seems destined for "classic" status, until an overly long winded final act which turns the screw one too many times. Still so well crafted, and Raghavan's command of black humour in his thriller certainly does rival the master!

Enjoyable twisty thriller-comedy that constantly very well balance both its dark comedic and thriller tones.

A solid twisting neo-noir, complete with femme fatale, dubious morality and a sense of tragic fatalism. I can easily see Alfred Hitchcock making this exact same film in 1946. Probably a little too long for its own good, as the pacing begins to lag during the second half. I think this is the most Westernized Bollywood film I've ever seen (for better or worse.)

7?????????/????????????????????????????????

Nice script, but the rhythm of the movie it was somehow disturbing for me.

Towards the end it gets a little long, but it is entertaining enough. I had seen the plot before, and I was not convinced by it, give it a try, the plot in Criticker at least is awfully done.

Körlük, müzisyen, cinayet, aşk, hindistan, organ ticareti (Kör numarası yapan bir müzisyen bir cinayete tanık olur ve işler değişir. Oldukça sürükleyici)

Decent script, even if the comedy elements are totally off. Questionable morals.