A Solar Dream

Some parts are indeed a cinema of incandescent material (quoting Norstein), a Bataillean expression of solar exuberance, and at other times it almost seems like Bokanowski's KOYAANISQATSI, via Dostoyevsky's DEMONS, but, as usual with this filmmaker, the ultimate significance is elusive, or is about the process of making itself, and the way in which images can give much more than they are usually asked to give, aiming at a kind of sur-real cosmic potlatch, but does he succeed in taking us there?