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A Fistful of Dollars
A Fistful of Dollars
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A Fistful of Dollars

A Fistful of Dollars

1964
Western
1h 39m
A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge.

A Fistful of Dollars

1964
Western
1h 39m
Your probable score
Avg Percentile 68.08% from 5718 total ratings

Ratings & Reviews

(5766)
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Rated 21 Jul 2020
85
86th
One of my favourite remakes of Yojimbo. It's fun to see Leone slowly laying out the groundwork of his style. If this was made later during the decade that taut just over 90 minute run time would be tripled, everyone would have their own lengthy disgusting sweaty closeup to beautiful music. No one makes lips grosser than Italian westerns.
Rated 13 Oct 2008
91
97th
A Fistful of Dollars goes down as the fantastic start to the best series of westerns ever made. When Sergio Leone's excellent direction is coupled with the pure attitude of the appropiately named Wild West and the rugged and insanely cool Eastwood it's automatically the underpinnings of a winning formula. A Fistful of Dollars revitalised the seemingly ailing genre and couples some wonderful scenes with evidence of the style of filmmaking Sergio Leone was soon to become renown for. True classic.
Rated 14 Aug 2007
89
92nd
It's rare that a remake can stand side-by-side with the original. But Yojimbo and Fistful are practically equals, at least neither one is a substitute for the other. Leone takes the material and makes it his own, while still maintaining the framework of Kurosawa's film. Comparing the two isn't a game of determining which is superior, but rather "isn't it awesome that we have both?". Yes, yes it is. Terrific filmmaking by Leone, star-making role for Eastwood, and another superb Morricone score.
Rated 05 Aug 2018
95
91st
Leone's first bona fide masterpiece is a simple retelling of YOJIMBO but embellished by a style that would become instantly iconic; warped perspective to make Eastwood look like a giant at times, casual brutality sweetened by understated gallows humour (DIRTY HARRY's origins can be found here), and use of newcomer Eastwood himself, who turns in a wonderfully restrained and subtle performance amid the cackling jackals of his supporting cast. All this, and bloody entertaining to boot!
Rated 19 Jan 2010
80
90th
You know, and I know, that there should have been a crossover sequel where Mifune and Eastwood have a staring contest until one of them explodes.
Rated 19 Jul 2009
81
69th
Excellent indicator of great things to come.
Rated 02 Jan 2009
8
82nd
How come none of those horses died in that shootout?
Rated 27 Feb 2007
85
83rd
Quite good with some great shots. Clint Eastwood is fantastic. Quite obviously a remake of Yojimbo, even in it's cinematography, but it's setting is different enough to make it worthwhile. Really it all depends on if Eastwood could rival Mifune's performance and, quite frankly, even if you don't think he does he comes damn, damn close.
Rated 14 Jan 2022
90
89th
A friend of mine in music once told me, “Never cover a song unless you think you can do just a little bit better somewhere,” and I think Leone knew he was doing something just a little bit different, in his own voice, and his own way. Clearly, Leone comes into his own with this Man Who Needs No Explanation. The joy in these films is seeing a Dude playing chess against a bunch of dudes playing Fruit Ninja - it’s a formula as old as time and just as satisfying no matter how many times you rewatch.
Rated 15 Aug 2019
78
68th
So fun to see this in the theater. Very cool and stylish, and Clint of course is awesome, but the film's a little too cheesy to be great. It's easy to manipulate two sides against each other when they're all pea-brains.
Rated 20 Sep 2014
70
88th
Ramón, for crying out loud, SHOOT HIM IN THE HEAD!
Rated 14 Jan 2011
60
27th
i gave yojimbo 90 when i watched. But after watched this, i decided to give yojimbo 100
Rated 07 Mar 2009
89
96th
Not quite as good as the final movie in the trilogy, but utterly fantastic, I mean really, really good. And the whole armor plate thing has become a sort of icon, and deservedly, because the finale in this movie is completely amazing.
Rated 13 Feb 2009
90
94th
A Fistful of Dollars is the beginning of one of the most iconic trilogies ever and the beginning of the young Eastwood's scruffy badass with no name. Leone's directing is superb and we can see his signature style developing as he crafts one of the most defining films of the entire Western genre. Truly a wonderful retelling of Kurosawa's Yojimbo, with Clint's performance matching Mifune's stride-for-stride.
Rated 14 Aug 2007
85
89th
You can see the beginnings of the wonderful style Leone would go on to use in his other films, but it's just not as developed here. That being said, this is still a wonderful film.
Rated 31 May 2012
97
97th
I don't think that's nice, you laughing. See my mule don't like people laughin. It gets the crazy idea you're laughin at him. Now if you apologize like I know you're going to, I might convince him you really didn't mean it.
Rated 19 Apr 2012
70
11th
Can't help finding it overrated, the story is overly complicated and it just seems to lack a good deal of the magic that comes later with Few Dollars More and TGTBATU. Worth watching as a matter of interest but not on its own merits, it hasn't aged well.
Rated 07 Oct 2009
75
55th
Rather underwhelming when compared to Yojimbo as well as Leone's future films, but solid entertainment nevertheless and a building block in the spaghetti western genre.
Rated 09 Jul 2009
7
84th
An entertaining western with a predictably badass Clint Eastwood and plenty of cool shootouts, although some of the dubbing is distractingly horrible. All in all I admire it but strongly prefer the original Yojimbo.
Rated 19 Aug 2022
88
87th
Maybe its cause my own eyesight is bad, but Leone makes me feel seen with all the close ups of people squinting. I love seeing myself represented by movie characters. Everybody also being sweaty and dirty adds to my personal immersion.
Rated 27 Jun 2020
68
66th
Overrated film set the stage for Eastwood as a screen icon and Leone as a master stylist, but aside from a few choice moments, it doesn't really live up to its lofty reputation, nor is it as good as Yojimbo.
Rated 04 Mar 2020
75
88th
Leone's camera creates the feeling we are watching an opera, rather than a film. Through the iconic close ups and by leaving the scenes run longer so the atmospheric music score plays its run-time, the viewer gets the feeling they are observing a timeless tale, a romanticised and mythological story. Eastwood's contained anger and resentment, his self-control and powerful screen presence are an unmatched treat. Then again one can't expect anything less - he's the quintessential man after all.
Rated 11 May 2019
83
81st
The crown jewel of plagiarism. Having watched Yojimbo just a week ago, every single "borrowed" detail was too apparent. That said, it would be a great idea to shoot the same film in different periods and different locations. The soundtrack is unreal, Morricone is a genius really. The movie stutters in some action scenes and is not as chiseled as The good, the bad and the ugly; but it is highly enjoyable. Eastwood came to this world to act in these movies I think.
Rated 12 Oct 2015
10
6th
I found this incredibly dull. Fell asleep on the first several attempts to watch it, and ultimately didn't get much out of this story. Some of the acting isn't bad but I could not find a single character to care about in this one.
Rated 27 Feb 2015
50
37th
For me, far worse than the other parts of the triology. Firstly, second act is unbelievably bad. Moreover, very easy story unites with bad actors and kills your movie-watching pleasure. Even flawless acting by Clint Eastwood can't decrease the damage. Anyway I'll rewatch it.
Rated 11 Aug 2014
99
96th
This low-budget happy accident managed to be the beginning of a progressively superior and iconic filmography by a master of deep-focus costume grit, and a large part of the groundwork laid for the redefinition of the Western, particularly by its ushering in of the genre's most iconic contemporary star as well as score composer.
Rated 18 May 2014
60
32nd
Leone manages a few great moments with the help of spot-on production design, Morricone's legendary music, and Eastwood's swagger. However, the story is very confusing. I had to check a Wikipedia summary of the plot more than once; important lines get lost in heavy accents and/or iffy audio, and a number of the assumptions one has to make to follow the story are a hell of a stretch, at least to me.
Rated 27 Jan 2012
80
78th
A highly entertaining retelling of Yojimbo done the in the only other way it could work, as a Western. Eastwood plays the gun slinging tough but good guy without a name to perfection. The soundtrack fit great (as is the usual with the trilogy) and the setting is desolate and beautiful. Definitely worth a watch.
Rated 28 Dec 2010
84
94th
Nice Movie
Rated 19 Dec 2010
70
19th
So hard to watch with that dubbing, but the action's great and so is Clint.
Rated 20 Nov 2010
73
28th
A lot of fun. My first glimpse of Eastwood as this type of character (rather than the more "grizzled veteran" type he plays in Unforgiven), and it was awesome.
Rated 22 Sep 2010
70
85th
It is weaker than the two sequels in terms of characters, plot, and Morricone's score. However, Eastwood provides the charisma that would form the core of the series, and the film still manages to deliver great direction, a great story, and a great climactic scene.
Rated 22 Sep 2010
95
99th
The film that made Eastwood a star and one of Leone's greats.
Rated 23 Jul 2010
3
81st
you will never be as cool as the nameless one. ever
Rated 06 Jun 2010
6
62nd
All said, this is a fairly high standard Western. It's entertaining, but after watching Yojimbo recently enough (which it's basically a remake of, albeit in Western style not Samurai) I cannot say that it stands up. Eastwood is good, and there's some really classic lines here. But the quality is fairly patchy and the mood doesnt always make an impact. The intensity seems to drop off at times. It really makes you appreciate the brilliance of Kurosawa and the depth of his directing if nothing else
Rated 04 May 2010
97
98th
An amazing flick. I'm not so interested in the comparisons to Yojimbo- good a flick as that is- because the atmosphere, the music, and Clint Eastwood's "Man With No Name" are arguably as important to this movie as the story is. Leone creates a template for a West more lawless and chaotic than any that I had seen before, and you truly get the sense that these characters live in a world without any lawful or moral boundaries. The amazing score of Ennio Morricone brings it all together.
Rated 28 Mar 2010
7
75th
AFOD is not as good as TGTBTU and FAFDM, but it is a simpler Acronym than both.
Rated 24 Dec 2009
75
27th
An orgy of posturing machismo.
Rated 28 Jul 2009
94
68th
It may have a low budget, it may have had less character development than its patron film, it may be a scene-for-scene adaptation of Yojimbo, but that doesn't make this any less of a huge game-changer in Westerns.
Rated 25 Jul 2009
70
40th
Enjoyed the montage-affected style, the wry comedy, and the fantastic music. Eastwood was great and I appreciated the way the film did more showing than telling. I could have done without the two massacres, this film being an early example that uses the maniacal killing of many helpless people to engender either sympathy or hatred for particular characters.
Rated 20 Jul 2009
85
78th
"My mistake... four coffins."
Rated 01 Jun 2009
75
84th
A re-telling of Kurosawa's "Yojimbo" that loses nothing.
Rated 23 Apr 2009
50
36th
Nowhere near as good as Yojimbo and not even close. Leone knows how to frame a shot and create iconic images, but he can't tell a story to save his soul! Despite my familiarity with the plot, this was at times impossible to follow. And there's a sick element here, too: YOJIMBO took a clinical and detached approach to its very necessary violence, whereas Leone crosses the line into a kind of prurient sadism that the audience is meant to enjoy. Give me Hawks, Wyler and John Wayne any day.
Rated 20 Feb 2009
65
68th
the plot is a little bit too simple, the side characters are a bit too flat, and "the bad" are too comically evil in this movie. Certainly not par with "good, bad, ugly", but Eastwood's impeccable charisma makes the movie into a classic.
Rated 25 Jan 2009
80
84th
The best of the trilogy. All about Eastwood.
Rated 15 Jan 2009
80
62nd
If I'm not mistaken this is quite similar to Yojimbo, the villain in this film is a little obnoxious, and the dialogs were not quite as good as TGTBTU, but still one of the best Westerns out there.
Rated 13 Dec 2008
77
78th
could be 100 minutes of clint squinting and i'd still be jizzing over this movie. add leone and morricone and you've got a winning formula
Rated 28 Jun 2008
95
96th
The man with no name easily one of the greats of all-time.
Rated 09 May 2008
86
84th
It's not quite as good as Yojimbo, but Eastwood is fantastic in the role and it's still very well executed.
Rated 14 Aug 2007
85
95th
A bare-bones plot ripped off from Kurosawa, sparse dialogue... but Leone, Eastwood and Morricone all do such astounding jobs that this western is just infinitely lovable.
Rated 14 Aug 2007
70
52nd
Fun little western with great style.
Rated 14 Aug 2007
80
84th
Leone's remake of Yojimbo and the film that made Eastwood a star.
Rated 12 Jul 2007
90
66th
Spaghetti Western at its best.
Rated 02 Mar 2007
4
70th
Humble beginnings for a legendary director. While it's self-evident how rapidly Leone's abilities progressed, so that even For a Few Dollars More seems like a leap forward, so much of what characterized his signature style was already in play here.
Rated 09 Feb 2007
4
74th
Despite being somewhat underdeveloped compared to his later westerns, this is still a punch in the gut from Leone. It's not a surprise, considering it's a shot-for-shot remake of what might be Kurosawa's most entertaining film, but the western setting adds a different flavor of badassery to the formula.
Rated 01 Feb 2007
80
61st
The small budget shows and it's not as good as Yojimbo, but the entertainment value and Clint more than redeem it.
Rated 07 Dec 2006
81
82nd
This is a beautiful movie. I love the ending sequence. Truly part of the best American Westerns ever made.
Rated 01 Nov 2024
85
65th
Its clear to see why they got sued for this film as its basically yojimbo. but its still an incredibly fun ride with compelling performances. its worth doing a double feature of it and yojimbo so you can see how different cultures interpret the same charcters.
Rated 04 Aug 2024
20
1st
vile
Rated 21 May 2024
31
1st
Ugh. I'm sorry but I wanted to like this movie, but I just couldn't get into it. I liked the western aesthetic, and Clint Eastwood is cool, but I really had a hard time following what was happening in the story, or caring about any of the characters. It didn't help that 95% of the characters in the movie are poorly dubbed, with low quality audio and heavy accents.
Rated 27 Apr 2024
88
10th
Was there even a plot?
Rated 20 Apr 2024
79
65th
audiovisual 90 acting 75 overall feeling 71 avg 79
Rated 11 Feb 2024
65
43rd
Leone and Eastwood would never disappoint. Pretty decent and stylish, but nowhere close to Yojimbo's level.
Rated 05 Jan 2024
80
97th
"A Fistful of Dollars" thrives on sparse dialogue and abundant action, building tension to its climactic conclusion. Clint Eastwood's portrayal of the anti-hero, governed by his ethics rather than the conventional heroic virtues, set the stage for his ascent to stardom. This character archetype grew to be synonymous with Eastwood.
Rated 05 Aug 2023
64
0th
A lot of the same thing (pjew pjew pjew!!!) But because the hubster wanted to see it forcthe 4th time I watched it with him. It was okay.
Rated 04 May 2023
80
78th
Top badass moment? The minigun. Why let historic subtleties get in the way of some Schwarzenegger-style action? And talking of inaccuracies… There’s no spaghetti in it, in fact there’s no pasta of any kind. Why isn’t Harry’s using his .44 Magnum? Winchester is a town in Hampshire and has nothing to do with rifles. The local pub didn’t appear to stock the locally produced San Miguel lager. It's meant to be a Western, but there're no Indians anywhere. Poor. 1 cat, no chainsaws or decapitations.
Rated 28 Jun 2022
63
55th
An interesting suspense movie. It definitely keeps you on your toes until the end. However it has a major flaw in my eyes for we never learn anything about the protagonist's motivations. To be honest, his actions seem to be contradictory. On a few occasions, he seems to be just an other snake in the nest, at other times he helps the helpless and he switches between the two seemingly without any reason just to further the plot. Still recommended for anyone who likes old Westerns, skip otherwise.
Rated 19 Jun 2022
50
8th
Mulethinkslaughinathim/mymistake4coffins+kindadidntpayattentionenoughlol+helpsthestolenwifeescapewitholdhusbandbutVson+makesmetalplate+shows-stareslol-killsthem-showspistolloadsfasteretc+surprisedatallthebaddubbing
Rated 18 Mar 2022
5
40th
If you can get past the bad acting, the ketchup blood, the terrible sound effects, and the boring machismo plot, the last act is actually pretty nice. As with most Sergio Leone westerns, the movie's slow and dull setup is carried by its outsanding music: remove Ennio Morricone's work and there's not much of interest left to the first hour and a half. A classic given the genre it pioneered, though I do find people tend to overrate it and are afraid of criticizing its flaws.
Rated 23 Feb 2022
72
35th
Not bad, but also not the most engaging story. It's a little uncanny to see Clint Eastwood being so young.
Rated 22 Jan 2022
100
0th
Pros: Clint is the quintessential badass anti-hero. Master of one liners. The definition of cool. This trilogy has some of the best movie soundtracks ever (RIP the legendary Ennio Morricone) and some of the most memorable scenes. Cons: The depressing realization that you will never see another movie that measures up to this once you’ve finished watching
Rated 16 Jan 2022
80
68th
It's kind of typical to call Eastwood's character "amoral", but that's not exactly right. On the surface he's just pitting these two gangs against each other to make money, but it becomes apparent that that's not really what he's doing. It's not that he has no moral code, but it's really a personal one, not one imposed by external forces, and it licenses him to engage in extreme lengths to right the balance in this town.
Rated 06 Nov 2021
86
91st
One of the best westerns out there. The score is amazing, the acting is great, Eastwood stands out despite not talking too much his charisma is apparent throughout. The action sequences are engaging and the the western desert landscapes are beautiful too look at. The only negatives is the characters could've used a little more development, the dubbing was rough at times, and the child was a little grating and seemingly unaware of the situation.
Rated 20 Sep 2021
78
85th
I do struggle with the dubbing in Spaghetti Westerns, but everything else shines. Leone's direction is just incredible and probably my favorite of any of the Westerns that were made to this point.
Rated 11 Feb 2021
82
81st
82.
Rated 20 Nov 2020
90
71st
Nice spaghetti western by Sergio Leone, funny, nice atmosphere and story. Something to relax and fantasize yourself as a nice cowboy thirsty for justice
Rated 29 Sep 2020
90
91st
Excellent
Rated 25 Sep 2020
70
52nd
Not as exuberant as later Leone (which I think is his biggest strength), and therefore not that special or insightful or even fun.
Rated 22 Sep 2020
86
61st
Eastwood got so much cooler by the time For a Few Dollars More came out
Rated 17 Sep 2020
90
87th
Stylistically magnificent. Leone loves taciturn faces—so much of the tension in this film is built with glances from one wild-eyed, grizzled visage to the next—and almost no one has a better face than Clint Eastwood. The performance he gives here is brilliant, oozing sardonic charm and determination with nothing but stares, and poncho flips, and cigar adjustments. The cinematography, the music, the setting... all unimpeachable. With some slightly-tighter editing, this would be a perfect movi
Rated 10 Sep 2020
80
78th
Even though I liked Yojimbo more, this westernized version is still pretty good. No heavy-duty philosophy here -- just some mindless bad guys shooting it out with squintin' Clint.
Rated 23 Jul 2020
40
37th
Ponderous and sadistic, awash with cynicism, its popularity escapes me. It reminded me more of a Bond film than a Western.
Rated 31 May 2020
80
71st
20.05.2020, İstanbul
Rated 21 May 2020
90
91st
Under Quarantine Re-Reviews #93: Revisiting the Dollars trilogy for the next reviews, and it's still as magnificent as when I first watched it age 15. The Yojimbo comparisons will be made, but between Leone's beautiful direction, Eastwood's breakthrough role and Morricone's impeccable score, it more than holds up on its own merit.
Rated 26 Apr 2020
94
98th
An amazing film. Must watch
Rated 18 Mar 2020
85
88th
It's not a deep film, but an excellent central performance and a terrific score drive it on.
Rated 10 Mar 2020
47
34th
Seen: 2.
Rated 04 Mar 2020
20
17th
This movie is straight up trash. Only scene I like is when he tells the 4 men to apologize to his horse. Then he gets his gun out and shoots them all. No sense of direction in this movie as they keep riding their horse and shoot each other. A lot of non nonsensical dialogue in this movie.
Rated 24 Aug 2019
93
91st
great western, one of my favorites
Rated 08 Jun 2019
100
84th
Yojimbo, Italian style.
Rated 22 Nov 2018
70
54th
Joe: "You see, I understand you men were just playin' around, but the mule, he just doesn't get it. Course, if you were to all apologize..."
Rated 14 Oct 2018
82
91st
Definitely the classic it's known as, it's a testament to it that it kept me guessing despite its gigantic influence.
Rated 01 Oct 2018
81
68th
81.00.
Rated 18 Sep 2018
84
90th
It isn't hard to see how Clint Eastwood became a household name after A Fistful of Dollars. He brings an effortless charisma not just in his screen presence, which is immense, but in his reserved sense of dialogue. Unlike older contemporary John Wayne, Eastwood brings a calm tenor, one that exudes confidence without needing to be loud or bombastic. Sergio Leone does the rest, creating more tension than most thrillers and a grander sense of scale than most Hollywood epics ever managed to achieve.
Rated 02 Sep 2018
50
38th
Virgem.
Rated 25 Mar 2018
80
55th
Not quite the masterpieces that are OUATITW or TGTBATU, but still solid.
Rated 08 Mar 2018
6
40th
OK macho shooutout western thing, really elevated by Eastwood, Leone and Morricone.
Rated 04 Jan 2018
68
37th
Sergio Leone's slow style is admittedly not easy to deal with. The dubbing of the film is also strangely apparent and takes one out of the story on occasion. However the beautiful landscapes and Clint Eastwood's gruff persona make this a classic western.
Rated 25 Sep 2017
18
94th
10/7
Rated 29 Apr 2017
60
47th
Enjoyable little film, carried by the unreachable coolness of Clint Eastwood.

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